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The traditional music element, which is characterized by orchestra and symphonization, has occupied the leading position of music for a long time and made outstanding contributions to the development of film industry. With the progress of technology and the audience aesthetic standards improve, more and more challenged the expressive force of the traditional instrument, using the power of electronic music, can make whole music get richer expression. Hans zimmer as an excellent representative of this aspect, made beneficial exploration for the diversity of film music elements.
传统音乐元素以管弦乐和交响乐为特征，长期占据音乐的主导地位，为电影产业的发展做出了突出的贡献。随着科技的进步和观众审美水平的提高，传统乐器的表现力越来越受到挑战，利用电子音乐的力量，可以使整个音乐得到更丰富的表达。汉斯·季默作为这方面的优秀代表，对电影音乐元素的多样性进行了有益的探索。
Although purely from the point of view of music style, symphony anti-spheroidizing elements still Hans zimmer's music movie is the main technique of expression, but it was already broke through the symphony music express this single expression. In his works to try adding a different music element in the collocation of symphony music, forms, different styles of music elements merging in the film music, make symphony music got complement and expand in tone.
虽然纯粹从音乐风格的角度来看，交响乐的反球面化元素仍然是汉斯·季默音乐电影的主要表现手法，但它已经突破了交响乐表达这一单一表现手法。在他的作品中尝试在交响音乐的搭配中加入不同的音乐元素，将不同形式、不同风格的音乐元素融合在电影音乐中，使交响音乐得到了补充和拓展。
All round the Hans zimmer's latest movie soundtrack, can be found in the traditional symphony style is given priority to work continuously reduce, instead of many new style good soundtrack. Predictably, Hans zimmer "novelty", in the field of film music at the completion of traditional music in the movie soundtrack while the dominance at the same time, also on the future development of film music has had a profound and positive influence.
围绕着汉斯·季默的最新电影原声带，可以发现在传统交响乐风格的作品中不断减少，取代了许多新风格的好原声带。可以预见，汉斯·季默的《新奇》，在电影音乐领域完成了传统音乐在电影原声带中的主导地位的同时，也对电影音乐的未来发展产生了深远而积极的影响。
