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下面为大家整理一篇优秀的Paper代写范文-The violence aesthetics of kinkidd's films，供大家参考学习，这篇论文讨论了金基德电影的暴力美学。金基德的影片极具个人风格化，他在不断探寻人性欲望和恶念时又弘扬人性本善，用暴力美学表现社会的阴暗面和对战争的控诉，他始终保持着对社会边缘人物的关怀和强烈的民族情感，外加反常规的影像美学和叙事美学，令他的电影独树一帜。金基德突出影片中性和暴力的表现形式，在其背后，是他表达出的美学内涵。
Kim jide is known as the"ghost director"and"problem director"in the history of Korean film.Kinkidd highlights the expression forms of sex and violence in the film,behind which is the aesthetic connotation he expresses.Among them,the dissatisfaction with social hierarchy,the indictment of war and the disclosure of the dark side of society are all shown in extreme violence forms.
金基德在韩国电影史上被誉为“鬼导演”和“问题导演”。金基德强调了电影中性和暴力的表现形式，这背后是他所表达的美学内涵。其中，对社会等级制度的不满、对战争的控诉、对社会黑暗面的揭露，都表现为极端暴力形式。
Violence is one of the main forms of kinkidd's films.When presenting violent images,kinkidd usually USES close-ups to present bloody violent images without modification and intuitively present them to the audience.Images of direct,unimaginative violence are also everywhere.Kim's violence often takes the form of self-harm and abuse.
暴力是金基德电影的主要形式之一。在呈现暴力画面时，金基德通常使用特写镜头来呈现血腥的暴力画面，而无需修改，并直观地呈现给观众。直接的、无法想象的暴力形象也无处不在。金正日的暴力行为通常表现为自残和虐待。
In"spring,summer,autumn,winter and spring",after the mid-year monk committed the crime of killing his wife,he tried to commit suicide by pressing the seven orifices with paper.Through the self-mutilation of monks,jin jide expresses the self-redemption of human beings after making mistakes,and extricates himself through death,so that the audience can feel the pain and despair of the characters.
在《春、夏、秋、冬、春》中，年中和尚犯了杀妻罪，他试图用纸压七孔自杀。金吉德通过僧侣的自残，表达了人犯错误后的自我救赎，并通过死亡自救，让观众感受到人物的痛苦和绝望。
His form of abuse appears more often in kinkidd's films than in self-harm.Most of the characters in kinkidd's films are marginalized people,and the people at the bottom of the society are their main objects of expression.Such groups need more respect and trust in life.When the character of marginal characters in kinkidd's films becomes distorted,oppressed and alienated,they choose to use violence to solve problems,to contend with the contrary social environment,and to vent their inner desires.In"addressee unknown",zhang wu,a Korean and American mixed-race boy living after the war,was ostracized by the society.Every day,he was mocked by the villagers,the color of his black blood,the poverty of his home and the beating and kicking of dogs'eyes.When zhang wu decides to fight back,he finalizes maltreatment object to be his mother,get humiliate every time,zhang wu always comes home to abreact anger toward the mother,cut the breast of the mother even.In this film,Kim jide sets the target of his abuse as his relatives,whose affection is insignificant in the face of violence,so as to appeal to the protection of the people at the bottom of the society.
他的虐待形式在金基德的电影中比在自残中更常见。金基德电影中的人物大多是边缘化的人，社会底层的人是他们的主要表达对象。这类群体在生活中需要更多的尊重和信任。当金基德电影中的边缘人物角色被扭曲、压迫和疏远时，他们选择用暴力来解决问题，与相反的社会环境作斗争，并发泄内心的欲望。在《收件人不详》一书中，战后朝鲜裔和美国裔混血男童张武被社会排斥。每天，他都会受到村民们的嘲笑，他的黑色血液的颜色，他家的贫穷，狗的眼睛的打闹。当张武决定反击时，他最终确定虐待对象为自己的母亲，每次都受到羞辱，张武总是回家向母亲发泄愤怒，甚至割断母亲的胸膛。在这部影片中，金继德将自己的虐待对象定为亲人，面对暴力，亲人的感情是微不足道的，以呼吁社会底层人民的保护。
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